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Making Shapes

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The brief for my Visible Image DT post this week was to make shaped card and to use stencils.   My last post used stencils to do embossing but this time, I’m using them in their traditional role.   For the shaped card base, you can use almost any shape and layering die sets are particularly useful for this. To begin, I selected two dies for each card, one for the card base and the other for the decorative panel. I cut the heart panel and blended Wild Honey and Picked Raspberry Distress Inks through the Entwined Butterflies stencil and set it aside to dry. For the next panel, I blended Spiced Marmalade Distress Ink through the Lava stencil. The next stencil, The Cat’s Whiskers was placed over the top and Gathered Twigs Distress Ink blended through the gaps. After peeking under the stencil, the cat’s face didn’t seem to stand out enough so I went over the face using texture paste in black for the face and gold for the eyes. Once the pastes were dry, I outlined t...
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Precious Poppy

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A couple of weeks ago, I received the sad news that one of the Project 71 veterans had passed away.    Poppy was such a happy, vibrant character who made the most of all that life gave her.   I was her carer a few years ago on a veteran’s trip to Jersey and we had such a laugh together – memories that I will treasure. I wanted to send Poppy’s daughter a sympathy card and it had to feature a poppy, of course.   I started by stamping and clear heat embossing the sentiment and poppy, positioning it slightly off the panel. The purpose of the clear heat-embossing is so that I can colour using alcohol markers.   I also added a few scribbles with a black fineliner around the base to ground the poppy. The lovely script stamp in the set was stamped directly onto the card base. After matting the poppy panel on some green card, the panel was mounted onto the card base. I’ve recently been introduced to the Luna Lapin series of books and wanted to make myself a me...
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Location: Fareham, UK
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Stumped

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A few weeks ago, I attended a 3D Wired Embroidery workshop taught by Ella Richards, one of the ladies from Solent Textile Group .   Ella had brought along some gorgeous examples of her work, featuring leaves, insects and fuchsia flowers which were very inspirational.   I had never done any stumpwork before so it was a baptism of fire. The idea was to make a 3D flower in the style of an evening primrose and we were set homework to complete beforehand.   I chose to make a pink and white variation and after tracing the petal and leaf outlines onto white cotton fabric, I painted the fabric using watered-down ink-pad reinkers.   The flower only has four petals but I added another to be my test petal.   The fabric was mounted into an embroidery hoop and made drum tight. The next step was to couch wire around the edge of the petals.   Couching is the term for attaching a thick decorative thread or wire onto fabric using a series of tiny stitches, sewn perpendi...
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Location: Fareham, UK
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Simply Squared

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For my latest Visible Image Design Team post, I had free-rein so decided to revisit another way to use stencils that I’ve not used for a long time.   I like being able to stretch my stash and being able to dry-emboss a stencil gives a whole new look. To emboss a stencil requires an additional bit of kit – check your machine’s accessories.   I’ve got a Sizzix Big Shot and I used an Impressions mat together with a silicone rubber mat in the following configuration: impressions mat – silicone mat – card – stencil – cutting plate I flipped it over so the cutting plate was on the bottom and ran it through the Big Shot. Here’s a close-up of the embossed panel using Squared stencil.   It’s not deeply embossed but it's definitely textured. Next, I trimmed a bunch of squares of white card in various sizes and stamped the focal images onto them, clear heat-embossed and coloured with alcohol markers.   The images are from Little Ladybirds , Bee Happy , Antisocial But...
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Location: Fareham, UK
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Kool Krafting

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My post this week features the card and ATC I made for this month’s Visible Image ATC swap, the theme of which was “Use Kraft”.   I quite like using kraft card and tend towards monochrome makes with it.   These makes ended up using just gold and white but had lots of texture and dimension. To begin, I cut the ATC (2½” x 3½”) and a 4¼” square panel for the card and white heat-embossed the sentiments, which are from Grunge Greetings . After masking the sentiment with a sticky note, I applied Tim Holtz Distress Grit Paste through the Rotation stencil. Whilst the paste was still damp, I sprinkled on gold embossing powder in places as I wanted some of the white to show.   This was then heated which melted the powder and made the paste bubble-up, creating that lovely texture. For the focal element, I stamped the dragonflies from Brighter Days using Versamark ink on thick vellum.   I then added gold embossing powder in stripes and knocked off the excess before ...
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Location: Fareham, UK
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String Art

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According to Google, string art first started in England in the late 19 th century but became popular as hobby items in the 1960s and 70s.   I was too young for it then but my husband bought me a string art kit for Christmas and I’ve only just gotten around to doing it.   The kit came with a thick booklet with about a dozen or so designs in it.   I was torn between the bee and the lion.   I opted for the lion, despite it having the longest list of instructions – 3000 of them!   The first job, which wasn’t that thrilling, was to position 180 screws into the canvas.   This took me almost an hour to do. To make my life easier when reading the many lines of numbers, I made a windowed slider that slid around the edge of the page to hold it in place.   As each line was completed, I moved the slider down to reveal the next row on numbers. There was a plastic thread holder in the kit which made it much easier to get the thread between the screws.  ...
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Location: Fareham, UK
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